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Hungry Ghosts (album)
''Hungry Ghosts'' is the fourth studio album by American alternative rock band OK Go. It was released on October 14, 2014 under the band's own Paracadute record label and was produced by Dave Fridmann and Tony Hoffer. It is the band's first studio album since ''Of the Blue Colour of the Sky'', which was released four years earlier in January 2010. It is a concept album that is mostly about the pros and cons of a relationship, lyrically. The album has a more electronic and modern approach compared to their three previous studio albums. The album was recorded in three years at Dave Fridmann's Tarbox Road Studios in Cassadaga, New York. Upon release, the album received generally favorable reviews from music critics and charted at number 74 in the ''Billboard'' 200.
The band has released two official singles from the album with accompanying music videos: "The Writing's on the Wall" and "I Won't Let You Down". The music video for "The Writing's on the Wall" was nominated in two categories at the 2014 MTV Video Music Awards, winning Best Visual Effects, but losing to "Turn Down for What" by DJ Snake and Lil Jon for Best Direction. The music video for "I Won't Let You Down" was nominated for, and later won, Best Choreography at the 2015 MTV Video Music Awards.
==Production==
With the exception of the single "I Won't Let You Down," which was produced by Tony Hoffer in Los Angeles, most of the album was produced by Dave Fridmann at his New York studio Tarbox Road. Production began with the listening sessions, where the members sent in about 40 demos. They also discussed how different they would produce from their previous records and how they would change their sound.〔 The group had spent two years writing material, beginning with no idea how the music would sound. According to Fridmann, they decided to use a combination of Pro Tools and Reason, so "everything was elastic. Everything was synced up to a Reason track, so we could edit in both worlds, and we set up the studio with five different stations. We had the main A and B studios with my stuff, and three alternate rooms so all five of us had our own workspace."〔 He described the development of the songs in an interview with ''Mix Online'':
The vocals were mainly recorded using Neumann U 7 and Sennheiser 421 mics, with a Neve 8801 occasionally be used if necessary. Several guitar amps were used in making the album, including a Selmer and 1950s Fender Princeton amp. The guitars were tracked with a Bock 251 mic. On the drums, an Electro-Voice 868 mic was used for the kick, a Neumann 105 for the snare, and DPA 4006s for the overheads. An E-V RE27 was used to track bass guitar. Fridmann said that "a lot of the interesting sounds on this album originated inside of Reason. We did a lot of programming, and that made it easy to transfer files; no matter what you did in a Thor synthesizer, you could take it to somebody else’s Reason station and it sounds the same. Then we could speed it up, slow it down, do whatever we want."〔 Frontman Damian Kulash also used an OP-1 synthesizer manufactured by Teenage Engineering in recording the album.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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